Inspired by Diane Mayr (Random Noodling) and others, I’ve been wanting to write a cherita for a while. I was intrigued by the flexibility of the form (no syllabic count!) and the narrative focus. The word cherita comes from the Malay word for story. The cherita’s creator, ai li, describes it thus: “”a single stanza of a one-line verse, followed by a two-line verse, and then finishing with a three-line verse.” I’m pretty sure I still have a lot to learn about the nuances of the form, but I’ve had fun playing around with it. I decided to put two cherita together, because… well, why not!? I do hope this isn’t offensive to any cherita purists out there.
Betrayed by bare branches
you scramble upward
toward the apple or away from me?
I edge in to capture
not your body, but your face
For long moments
your clever hands hold tight
I take picture after picture
You climb higher into swaying branches
your backward glance reproaches
contrite, I depart.
M. Hogan ©2018
I knew I’d played around with a cherita before, and I went back through my notebooks determined to find it. I couldn’t even remember what I’d written about. How surprised I was to find this cherita, written in mid-August.
The trap has sprung
Feeders rest on the earth
amidst scattered sunflower seeds
Within the trap
lie a few lonely suet crumbs
the bandit has escaped
M. Hogan © 2018
Clearly this raccoon situation isn’t a new one! Oh, and for the record, it was a Have-a-Heart trap.
My post today combines my love of photography, nature, and poetry. I am thankful for all of these things (and so many more!) and, as always, for the wonderful support and community of this group. This week’s Poetry Friday Roundup is hosted by Irene Latham at her blog, Live Your Poem. In a haiku bonanza, she’s sharing a beautiful new book by Laura Purdie Salas and a link to a Jack Prelutsky read along. Be sure to check it out and add some poetry to your holiday weekend!